Seminole History Tag

Welcome back to our Seminole Spaces series! In this series, we explore places and spaces important to Seminole culture, history, and tourism. Last week, we talked about Seminole Cowkeepers, and learned a bit about the legendary Seminole Cowkeeper Ahaya. Ahaya amassed nearly ten thousand head of cattle, and drove them on the Alachua savanna near Gainesville by 1775. But, how did this Alachuan savanna become known as Payne’s Prairie? This week, we will explore Payne’s Prairie. There, the Seminole relationship with the land, as well as the landscape itself, has shifted and changed over time. In our featured image this week, you can see a shot taken from the observation tower at the Payne’s Prairie Preserve State Park in 2022. Around 300,000 people visit the preserve annually to take in the wide grassy vistas and marshy woodlands. Home to hundreds of species of birds, fish, alligators, and even bison, Payne’s Prairie

Even before the modern rock empire of the Seminole Hard Rock, music has been closely tied to Seminole culture, identity, and history. Seminoles use music for social, political, and educational purposes. Significantly, they pass down stories, legends, and even language through song. This week, we are exploring the legacy of Seminole music, and how it has shifted and changed over time. Additionally, at the end of the post, we will look at a handful of modern Seminole artists, and current Seminole representation in music. Above, you can see Dr. Judy Ann Osceola, Pauline (nee Jumper, married name unknown), Judy Baker, Mary Louise Johns (nee Jumper), Priscilla Sayen, and Judy Bill Osceola (with guitar). Occasionally, the women were asked to sing at events as a show of support for the newly formed government of the Seminole Tribe of Florida in the late 1950s. Seminole Music In our featured image this week, you can see