This week, join us as we talk with Samantha Wade, Senior Bioarchaeologist and Lab Supervisor for the Seminole Tribe of Florida Tribal Historic Preservation Office (STOF THPO) about the long-running Artifact of the Month program.
This week, join us to learn about the life and legend of Abiaka. Also known as Abiaki, Arapeika/Aripika, Sam Jones, or just “The Devil,” Abiaka was a fierce Seminole wartime leader, medicine man, and spy.
This week, join us to look deeper at the impact of the Peithmann Collection, a collection of over a thousand photographs taken from the 1950s through the 1970s by Irvin M. Peithmann.
Even before the modern rock empire of the Seminole Hard Rock, music has been closely tied to Seminole culture, identity, and history. Seminoles use music for social, political, and educational purposes. Significantly, they pass down stories, legends, and even language through song. This week, we are exploring the legacy of Seminole music, and how it has shifted and changed over time. Additionally, at the end of the post, we will look at a handful of modern Seminole artists, and current Seminole representation in music. Above, you can see Dr. Judy Ann Osceola, Pauline (nee Jumper, married name unknown), Judy Baker, Mary Louise Johns (nee Jumper), Priscilla Sayen, and Judy Bill Osceola (with guitar). Occasionally, the women were asked to sing at events as a show of support for the newly formed government of the Seminole Tribe of Florida in the late 1950s. Seminole Music In our featured image this week, you can see